• Fire channel, I am a guitar/ukulele player and song writer who made beats on reason back in college, just got an MPC, just getting into it but I have a lot of background in music, this stuff is great! Thank you so much.

  • Only seeing this one now! Learning from you all the time man! Loved when you scrolled along the sample edit page, heard so many vocal gems there! Maybe that would be a cool sample pack 20-50 lil one shot vocals 🙏🙏🙏

  • Thank you for sharing your process. I literally took notes from your video just so I know what I'm looking for besides the obvious beginner stuff (I.e. acappela moments and melodic parts without drums) I get it now thanks to your willingness to share

  • There's obviously a lot of stigma around the first type of sampling but that's how they used to do it in the 80s/90s. It sounds like a lazy method but it's only lazy if you're not making it a little varied. You can take a 1 or 2 bar loop itself and have it for 8 bars, or mute it every 4th bar, or if there's bass behind it isolate the bass and that's another 4 or 8 bar loop. Anyone who exclusively listens to 90s knows this and it will sound lazy on paper but can sound really good if you do more than simply looping a single sample, such as adding horns every second bar (or any one-shots as they're called in this video). It's probably some bias here because I only sample looks and work around them as the base, but that was a large part of hip-hop and is still a fundamental in my opinion.

    Great video.


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